Thursday, November 21, 2019

Changing Careers


Hearst Castle, San Simeon, CA
       In 2015, I retired from the U.S. military and decided to change career paths from a Medical Laboratory Technician to Art Conservationist. The idea to change career paths came when after enduring rain and gloomy weather for 7 months in Seattle, I decided to take a spontaneous, weekend trip to California to get some sunlight. I visited and toured Hearst Castle in San Simeon. As the tour of the castle was proceeding, the guide told us about an ongoing art conservation project being completed on a painting on the ceiling in the pool room.  This work sounded appealing to me as it meant working alone and completing detailed, meticulous work at a slower pace than I was used to in laboratory work.
        Although laboratory work seems far removed from art conservation, I have found it has many similarities. All laboratory work is very detailed and needs to be completed in a meticulous manner similar to art conservation. Art conservation also requires great investigative, problem-solving skills that are also needed within the laboratory. In art conservation, it is necessary to be able to notice small, significant details in artworks in order to preserve the artist's original intent by restoring the piece in a way that would not detract from the work. These same skills are needed in the laboratory in order to ensure proper and expeditious patient care. In both medical laboratory and art conservation, it is important to have a thorough understanding of chemistry as well as how to follow safety procedures and the use of personal protective equipment when using chemicals. Another important aspect that is similar in both laboratory and art history is the importance of ensuring the working environment are within appropriate humidity and temperature ranges. In the laboratory, extremes within temperature and humidity levels can greatly alter the instruments ability to appropriately run and report accurate laboratory results. Damage can also occur within the art environment to the artworks if there are fluctuations in humidity and temperature levels.
         While there are plenty of similarities, there are also many differences between art conservation and laboratory work.  For example, in the laboratory, the time allowed to finish testing can vary greatly between life-threatening and routine lab testing. However, depending on what area of the lab you work in, the amount of time you have to complete the work can vary greatly. If you work in a hospital laboratory, you would need to complete the work perfectly and sometimes within minutes in order for the medical staff  to be able to provide life-saving care. In a research or forensics laboratory, the work can be completed at a slower pace. Although I have not worked in art conservation at this time, I would assume that the time allocated for completion of projects is much greater than in a medical laboratory setting. Another difference is that in art conservation you would not be working with body fluids and infectious diseases as you would in the laboratory.  You would also have less interaction with people in art conservation than in the lab. Also, the interaction you do have with people in art conservation should be more pleasant as you would not be drawing the patient's blood as you would in the lab.
          As I have been studying art history for the past couple of years, it has been interesting to learn how similar the professions of medical laboratory technician and art conservation are. I hope that I will be able to study art conservation in the future and apply my laboratory skills to work in the conservation area. - Audrey Sokol

Mary Frances Whitfield


Mary Frances Whitfield: Why?
Abroms-Engel Institute for the Visual Arts, May 31 - November 23, 2019

         In collaboration with the Birmingham Civil Rights Institute, the Abroms-Engel Institute for the Visual Arts presented an exhibition of paintings by the self-taught artist Mary Frances Whitfield. These paintings depict the racial terror lynchings of African Americans. The topic of lynchings is an extremely difficult topic to discuss but is absolutely necessary in order to honor the victims. We need to understand the horrific methods of lynching as well as to come to terms and acceptance instead of denial about this ugly, important part of our country's history. [1]
Mary Frances Whitfield, Sari-Mae's Sorrow, 1996, watercolor on canvas board, private collection
                 On preparing to give a tour of the exhibition of   Whitfield's works, I discovered that she was deeply affected by images of the lynching victim, Emmett Till.  Till was a 14-year-old child who was lynched in 1955 in Mississippi. Till's family asked for their son to be photographed. Jet magazine published the photographs so that people could witness the horrific terror attacks that were being committed against  African Americans. These photographs, in part, galvanized support for the Civil Rights Movement. [2] Even today, Till's memorial sign at the site of his lynching has been vandalized with bullet holes and replaced twice.
         Whitfield often depicts children as victims of lynching in her works as well as portrays the grief of the family members as they mourn the loss of their loved ones. This may be due to her reaction to and empathy for Till's death and as a way to expose the grief of his family members along with the many other victims and families that experienced loss and terror. Whitfield's work gives a voice to the victims of lynching that they deserve and that is long overdue.
       Recently, the Memorial for Peace and Justice opened in Montgomery, Alabama to commemorate the loss of over 4,000 known victims of lynching. The exhibit at AEIVA of the work of Whitfield is a step to begin to open a dialogue about this sensitive topic within the city of Birmingham that has experienced lynching first-hand with 30 known victims. The Jefferson County Memorial Project plans to place historical markers of lynching sites as well as to produce a memorial within the city for the victims.[3]
        In 2017, I decided to leave my job in Seattle and move to Birmingham to be closer to my father. Not knowing very much about the Birmingham area, I was unsure of what I would experience and encounter in this city. I have learned a lot about the events that occurred here during the Civil Rights movement and I feel that it is important to talk about these things in order to move forward and to grow stronger as a community.  Today, I feel like there is hope here and that by talking about sensitive topics such as lynching we can begin to heal the horrific events of our country's past and be more alert to how racism and stereotyping affect our lives today. It is important that we do not deny or ignore events of the past so we will not repeat them in the future.  Hopefully, we can start to be honest with ourselves and others and point out areas where we may be unknowingly adding to the problem of intolerance and move towards becoming a better, more tolerant society that supports all people's lives and respects their inherent value. - Audrey Sokol
       


[2]

History.com editors. Emmett Till. August 29, 2019. https://www.history.com (accessed October 16,    2019).
[3]

Jefferson County Memorial Project Editors. Jefferson County Memorial Project. https://www. jeffersoncountymemorail.com (accessed November 3, 2019).