Thursday, November 21, 2019

Mary Frances Whitfield


Mary Frances Whitfield: Why?
Abroms-Engel Institute for the Visual Arts, May 31 - November 23, 2019

         In collaboration with the Birmingham Civil Rights Institute, the Abroms-Engel Institute for the Visual Arts presented an exhibition of paintings by the self-taught artist Mary Frances Whitfield. These paintings depict the racial terror lynchings of African Americans. The topic of lynchings is an extremely difficult topic to discuss but is absolutely necessary in order to honor the victims. We need to understand the horrific methods of lynching as well as to come to terms and acceptance instead of denial about this ugly, important part of our country's history. [1]
Mary Frances Whitfield, Sari-Mae's Sorrow, 1996, watercolor on canvas board, private collection
                 On preparing to give a tour of the exhibition of   Whitfield's works, I discovered that she was deeply affected by images of the lynching victim, Emmett Till.  Till was a 14-year-old child who was lynched in 1955 in Mississippi. Till's family asked for their son to be photographed. Jet magazine published the photographs so that people could witness the horrific terror attacks that were being committed against  African Americans. These photographs, in part, galvanized support for the Civil Rights Movement. [2] Even today, Till's memorial sign at the site of his lynching has been vandalized with bullet holes and replaced twice.
         Whitfield often depicts children as victims of lynching in her works as well as portrays the grief of the family members as they mourn the loss of their loved ones. This may be due to her reaction to and empathy for Till's death and as a way to expose the grief of his family members along with the many other victims and families that experienced loss and terror. Whitfield's work gives a voice to the victims of lynching that they deserve and that is long overdue.
       Recently, the Memorial for Peace and Justice opened in Montgomery, Alabama to commemorate the loss of over 4,000 known victims of lynching. The exhibit at AEIVA of the work of Whitfield is a step to begin to open a dialogue about this sensitive topic within the city of Birmingham that has experienced lynching first-hand with 30 known victims. The Jefferson County Memorial Project plans to place historical markers of lynching sites as well as to produce a memorial within the city for the victims.[3]
        In 2017, I decided to leave my job in Seattle and move to Birmingham to be closer to my father. Not knowing very much about the Birmingham area, I was unsure of what I would experience and encounter in this city. I have learned a lot about the events that occurred here during the Civil Rights movement and I feel that it is important to talk about these things in order to move forward and to grow stronger as a community.  Today, I feel like there is hope here and that by talking about sensitive topics such as lynching we can begin to heal the horrific events of our country's past and be more alert to how racism and stereotyping affect our lives today. It is important that we do not deny or ignore events of the past so we will not repeat them in the future.  Hopefully, we can start to be honest with ourselves and others and point out areas where we may be unknowingly adding to the problem of intolerance and move towards becoming a better, more tolerant society that supports all people's lives and respects their inherent value. - Audrey Sokol
       


[2]

History.com editors. Emmett Till. August 29, 2019. https://www.history.com (accessed October 16,    2019).
[3]

Jefferson County Memorial Project Editors. Jefferson County Memorial Project. https://www. jeffersoncountymemorail.com (accessed November 3, 2019).

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